COURTESY OF ALEXANDER REBEN
Reben is OpenAI’s first artist in residence. Formally, the appointment began in January and lasts three months. However Reben’s relationship with the San Francisco–based mostly AI agency appears informal: “It’s a bit fuzzy, as a result of I’m the primary, and we’re figuring stuff out. I’m most likely going to maintain working with them.”
The truth is, Reben has been working with OpenAI for years already. 5 years in the past, he was invited to check out an early model of GPT-3 earlier than it was launched to the general public. “I obtained to mess around with that fairly a bit and made a number of artworks,” he says. “They have been fairly inquisitive about seeing how I might use their programs in numerous methods. And I used to be like, cool, I’d like to attempt one thing new, clearly. Again then I used to be principally making stuff with my very own fashions or utilizing web sites like Ganbreeder [a precursor of today’s generative image-making models].”
In 2008, Reben studied math and robotics at MIT’s Media Lab. There he helped create a cardboard robotic referred to as Boxie, which impressed the lovable robotic Baymax within the film Huge Hero 6. He’s now director of expertise and analysis at Stochastic Labs, a nonprofit incubator for artists and engineers in Berkeley, California. I spoke to Reben by way of Zoom about his work, the unresolved pressure between artwork and expertise, and the way forward for human creativity.
Our dialog has been edited for size and readability.
You’re inquisitive about ways in which people and machines work together. As an AI artist, how would you describe what you do with expertise? Is it a device, a collaborator?
Firstly, I don’t name myself an AI artist. AI is solely one other technological device. If one thing comes alongside after AI that pursuits me, I wouldn’t, like, say, “Oh, I’m solely an AI artist.”
Okay. However what’s it about these AI instruments? Why have you ever spent your profession taking part in round with this type of expertise?
My analysis on the Media Lab was all about social robotics, how folks and robots come collectively in numerous methods. One robotic [Boxie] was additionally a filmmaker. It principally interviewed folks, and we discovered that the robotic was making folks speak in confidence to it and inform it very deep tales. This was pre-Siri, or something like that. Today persons are aware of the thought of speaking to machines. So I’ve at all times been inquisitive about how humanity and expertise co-evolve over time. You already know, we’re who we’re at the moment due to expertise.
